Daniel Kremer

Ezer Kenegdo

⭐ 4.5

Even Just

⭐ N/A

David Cronenberg Presents Wireless Internet

⭐ N/A

William Wyler: Forty Takes Willy

⭐ 8.0

Ben Fries the Slaves

⭐ N/A

Arid Cut

⭐ N/A

Now, Irving Rapper

⭐ N/A

Clear Lines of Sight: Sidney J. Furie at Paramount

⭐ N/A

The Wind Blows Where It Wishes

⭐ N/A

Love Left the Masquerade: Peter Medak's Cinema of Pretenders

⭐ 10.0

Cruel, Usual, Necessary: The Passion of Silvio Narizzano

⭐ N/A

Xenolith Atlas

⭐ N/A

Elective Vicissitudes: The Radical Exiles of Jules Dassin

⭐ N/A

The Brando Interregnum: The Decade of Marlon's Dirty Dozen 1962-1972

⭐ N/A

Jack of Three Trades: In Focus on Nicholson the Director

⭐ N/A

It's a Zabriskie, Zabriskie, Zabriskie, Zabriskie Point

⭐ N/A

Looking to Get Out: A Comparative Analysis of the Ted Kotcheff Vision

⭐ N/A

Survival Scars: Franklin J. Schaffner as Auteur

⭐ N/A

La Vie en Gris: The Anglophone Louis Malle in Seven Pictures

⭐ N/A

A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget

⭐ N/A

Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes

⭐ N/A

The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger

⭐ N/A

Dead Neon: The Many Faces of Lenny Bruce on Film

⭐ 8.0

Ammo for Shooting Clouds: John G. Avildsen Before Rocky

⭐ N/A

The Fourth Movement

⭐ N/A

Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema

⭐ N/A